I've kind of let this blog go, because of one reason--I'm too busy
to breathe. Sometimes you have to sit down and decide what to let go in your
life in order to stay sane. Blogging takes time and mental energy, and I'd
rather spend both on writing books. Therefore, not much blogging.
That said, writing related issues occasionally occur to me, and this
venue is a great place to muse on them.
Today, I was thinking about writers letting characters take
control, and some comments I've come across lately from people who severely
disagree with this method.
I like to say I let my characters tell the story. And they do. I
put them in motion on the page and see what they do. I watch, and I write down
what I see.
I saw a tweet the other day that said basically that an author who
lets his / her characters tell the story is an idiot. A fool, not really a
writer. Saw the same kind of comment in a book I'm reading on plotting.
Writers are ALWAYS in control of their characters, right?
Not quite. When I say my characters have control, tell me the story,
or take over I do NOT mean that they meander about talking about the
reproductive cycles of cabbages while the bank they're standing in is being
robbed (unless I'm going for zany humor).
But my characters then don't forget all about the trauma of the
robbery and decide to take a European tour where they meet some aliens and
journey with them back to a moon of Jupiter.
See what I mean? Now, we could probably come up with a plot where
that all works... but I'm being a bit silly to make a point.
I put my character in a situation (say, a bank being robbed while
my hero is there on his lunch hour). This bank robbery will be very important
to the story (maybe he's a private detective, maybe he realizes one of the
robbers is his best friend's son, maybe he's undercover for the CIA ).
But then I let my character go. I sit back and watch him decide
what to do while the bank's being robbed. Be a hero and tackle the guy with
the biggest gun? Does he covertly make a phone call? Does he go all Burn Notice and take down the robbers with duct
tape and canned air? What kind of a person is he--what would he do? (as opposed to the eight-year-old
girl, or the eighty-year-old woman in the electric scooter.)
My character's actions should be logical and make sense for him: X happens, he reacts by
doing Y, causing Z, which causes A, then B, and so on. I watch, I type.
But I've not decided beforehand what Y, Z, A, B, and C are and
outlined them. I can't think that way. I can sit here and project out a very,
very rough sketch of a story line, to a point, but I can't really know how the story is going to flow
until I write it.
What was in my rough notes as C turns out to be W when I start
writing. W comes to me out of nowhere, and is a much better, more entertaining,
and more logical course than C.
But I will never know that until I start writing and let the
characters go. The act of moving my fingers on the keyboard seems to
trigger the creativity in my brain.
That's what I mean by writing by the seat of my pants and having
my characters in control. They do, I watch.
Possibly, what's going on inside my head is me seeing the
situation and problem-solving it via my character as I write dialog, stage
direction, description, inner monologue. I'm good at problem-solving (figuring
something out as it's thrust in front of me). I suck at strategy (planning in
advance).
When I release my inhibitions and let the characters take over,
they tell me things about themselves I never knew, and do things I didn't
realize they were capable of.
Now, if they do decide to hop a plane to Paris and then fly off
into space with aliens, when I revise the story I can see whether that incident
logically flowed with the story line (maybe I'm writing scifi; or the character
is using the aliens as a thought exercise with his therapist), or whether it
was a strange and unnecessary digression (but hey, it worked for Monty Python's Life of Brian).
Letting my characters tell me the story does not mean I let them
rampage willy-nilly through the book with a mad fixation on aliens and cabbage.
But watching what they do does make my stories richer and deeper than they'd be if I slavishly followed an outline I'd beaten to death beforehand because I
thought this was the "right" way to write a novel.
It's just the way that works for me. If I had a different brain,
maybe I could only write a story after I'd meticulously planned every plot
detail. If you're much better at planning in advance than I am, go for it.
Whatever works FOR YOU is right.
That's my musings for a cloudy Wednesday afternoon. Hoping for
some rain soon.
