Showing posts with label RITA awards. Show all posts
Showing posts with label RITA awards. Show all posts

Monday, September 14, 2009

Professional Jealousy--How to Deal with It and Make It Work for You

I have been trying to write a post on Professional Jealousy for some time. I started the draft months ago, but have been too busy to finish. No one should be jealous of my organization skills! LOL But here goes:

What is Professional Jealousy?

Professional jealousy is really envy--something wonderful happens to someone else and you wish it had happened to you. If you want to be Biblical, you are coveting your neighbor's success. You want what they have.

The first thing you have to realize is that it's ok to envy someone. I envy one of my friends who travels the world every year. I'd love to do that! But circumstances at this point don't allow it. I envy another friend who always seems to have the coolest gadgets. I want them! But I have other expenses I have to take care of first.

And when I was unpublished, I hung out on online loops where every week someone else had won a contest or gotten a request for a full or signed with an agent or pubbed a book, while nothing, nothing, nothing happened to me. Sometimes it got to be where I couldn't sign onto the loop without feeling a great wash of despair.

But don't feel bad. Envy is natural. When we want something (and want it bad!), it seems unfair that it happens to someone else.

Then I looked at it this way:

1. Do I want what they have? YES!
2. Am I willing to work very hard to have the same succes? YES!
3. Do I want to take someone else's success away from them? NO.

No, I don't want to take the shiny trophy away from the person who is weeping with happiness, surrounded by her family and friends cheering for her because she won it. She worked hard, she likely had many, many problems along the way (personal and professional), and she probably deserves the damn trophy.

After I'd been writing a while I realized that no one's life is perfect, not even an author's (and these days I'm thinking, especially not an author's! LOL).

No one achieves without a lot of sweat, heartache, pain, and sacrifice. Very, very few people are handed things on a platter. (It might seem like some people are, but it's extremely rare, and it may be that you just can't see the pain behind the success.)

The most important question up there is:

Am I willing to put in the time, energy, and labor to get what that person I envy has?

If your answer is No, then the rest of this post probably won't help you. You are expecting things to be handed to you, and I'm sorry, they won't be. Nothing is free.

If it's Yes, then let me see if I can help you harness your envy and make it work for you.

How to Harness the Ugly Emotion and Make it Work for You

One thing I've learned about very successful authors: They work very, very hard. They want success so much that they are willing to give up time with family, vacations, sleep, watching TV, and other things to achieve their goals. These people are willing to put in the hours, the labor, the pain and depression to become stars of the literary world--well, let's face it, to be published at all!

One way to curtail your jealousy is to realize that no one--no one at all--achieves anything without a price.

I've seen authors leap to the top with their first book (doing way better than me), only to be gone within a few years.

I've seen authors' careers lag for years before they finally hit the right note and shoot to the top, baby! (I mean, one year these authors are completely ignored at the conferences; the next, they can't walk without a crowd on their heels.)

--Aside: I can think of at least five authors off the top of my head whose first series were very modest successes, if that. Then they did a name change/genre change and zoomed upward. I figure that's because they're now more market savvy, have more experience writing books, and just wrote the right thing at the right time.

I've seen authors start at the bottom and progress slowly and steadily to the top. I can think of names in that area too.

Another way to look at it

Everyone has a different path to success. Some luck out with the best agents right away and land delicious contracts while the rest of us are still struggling. Some people write for years before they strike paydirt with a good contract. Some get published then languish low on the midlist for a decade before they have a hit.

You know what? Each of these authors might in the end make the same amount of money and have the same number of sales. And yet, they each reached that level in a different way.

So if you think--everyone's getting published but me!! That might be true!

Today. Maybe even next week. Some day, it will be you getting published/winning that award/landing that dream agent.

It really will happen.

The fact that other people succeed BEFORE you do, DOES NOT MEAN THAT YOU WILL FAIL.

How to Use Jealousy to Your Advantage

Also known as Market Research!

There's always going to be someone out there you envy. Someone got published. Someone won that award. Someone got an agent.

Do you want to get published?

Do you want to win the award?

Do you want the agent?

Here's what you do. Read that person's book. Don't bother trying to read them before they're sold (e.g., asking friend to read her GH finaling book)--you want an example of what SOLD. Because A BOOK WINNING A CONTEST DOES NOT MEAN THAT THE BOOK IS MARKETABLE.

Sad but true.

But the reverse is also true: LOSING A CONTEST DOES NOT MEAN THAT THE BOOK IS NOT MARKETABLE.

Say woo hoo.

(I tanked in as many contests as I won before I was published--imagine my confusion.)

Anyway: Read the book. Analyze the book. What do you think caught the readers' attention? What is the writing style? Simple and plain? Lyrical and witty? Did it have innovated ideas, a twist on the tried and true? Or did it feed a market greedy for more of the same?

What happens if you don't like the book? If you're thinking "This is the most putrid trash I've ever read. How did this get published??!!"

Do the following:

Go into a back room in your house alone.

Scream. Pout. Kick the walls (not too hard; you'll just have to fix them)
Shout: "It's not fair! I hate her!"
Have a sullen temper tantrum.

Then suck it up.

Put your emotions aside and read the dang book. What do you think caught the readers' attention? What is the writing style like? (You know the drill).

Do You Mean I Have to Write This Person's Book?

No.

Of course not. You have to write your book. I'm just trying to get you to diffuse your envy and turn it into a learning experience.

What if I Just Don't Get It and Hate the Book and Never Want To Write Anything Like That?

Then that writing style/theme/market/audience is not for you. That's fine. There are SO many opportunities and markets and styles and subgenres that you'll find your niche if you are willing to try.

Therefor, you can stop being envious of that writer! You don't want to succeed in that area anyway.

Read other books of successful authors. Find the ones you fall in love with. It's likely that those styles and subgenres are ones you connect with, and probably what you should be writing. (I say probably, because some people have a heck of a time writing what they love to read. Oh well! We all find our talent one way or another.)

One Other Thing I Should Mention about Negative Wishes, or Hoping Mega-Bestselling Author will Fall into A Well and Clear the Field for You

It doesn't happen that way.

Actually, you want mega-bestelling author to succeed.

Why? Because booksellers like sure things.

If certain types of books sell very, very well (e.g., romances; time travels; Manga; whatever) it's much more likely that your book in the same niche will be published and sell well too. Publishers and booksellers like a sure thing. I can't stress this enough. (Yes, they take chances on new things too. But warily. Sometimes new things take them by surprise. If it's your new thing, yay you!)

If you write romance, you want every romance author out there to do well. So that the romance genre will still be there when you want to publish in it!

(To make things complicated, though, never write so closely to a trend or popular subgenre that the shelf life of your career is about two minutes. That's another post!)

Other Ways to Deal

If you just can't stand that you seem to get no breaks and everyone on the Internet is talking about THIS aspiring author that they say is the Next Big Thing, and no one, but no one is paying any attention to you, and you have heartburn and can't think about anything else, let alone write your book:

Stop.

Turn off the Internet.

Just. Don't. Look.

If you can't handle it, I implore you, let it go and don't participate. Obsession only loses you valuable writing time. Take all that emotion and put it into your stories!!

The Spotlight Shifts

The publishing business is fluid. One day everyone says a certain author is the Next Big Thing. The next, no one can remember her name. I've forgotten the names of many authors I swore, when I was unpubbed, would be The Next Big Thing. Everyone on the aspiring author loops were sure of it. They were the darlings of the group. Everyone ignored me, or responded to my questions with condescending dismissal.

Guess what happened?

Yep. Here I am a multipubbed author making a nice living, while most those people gave up.

Sometimes the spotlight is on me. When I won a Rita. When I hit USA Today for the first time. When I was headlining the Immortals series. When Madness of Lord Ian came out.

Right now, no one can be paid to care. I'm not doing anything interesting right now. (To the world. To me, I'm busier than I've ever been!)

Some of my books get hoopla. Some of my books get ignored.

It is the way of publishing.

I'm saying this so aspiring authors realize that the spotlight shifts. When it's shining brightly on you, be gracious, lap it up, do your best to thank people who are shining it on you.

When it's not on you, breathe a sigh and get back to work!

Monday, April 6, 2009

The RITAs


Every year Romance Writers of America announces its slate of finalists for the RITA award, given to the best romances of the year.

And every year there is a deluge of controversy (some years more than others). There are also questions--what is a RITA? Who is Rita? Why were those books picked to final? Why these categories and not those? Why are ebooks excluded? (the hottest of hot buttons right now).

So here is everything you ever wanted to know about the RITA contest but were afraid to ask. (If any of the below needs correcting, please, feel free to tell me [politely...]).

1. The RITA award was established I think about twenty years ago to honor excellence in romance fiction. The award is named for Rita Clay Estrada, founding member and RWA's first president.

2. The RITA was invented to give romance some recognition. At the time, romance got zero recognition, especially category romance. Romances were often not "counted" on bestseller lists (and category still isn't). To let romance authors be recognized as having some talent, thank you, the RITA was developed.

3. Unlike the Edgars, Nebulas, and Hugos, the RITA is a contest, with an entry fee. Books may be entered by either a. the author; b. the author's publisher. (I believe anyone can enter someone else's book but I'd have to ask about that.) Most publishers enter at least some of their authors' books.

4. Non-RWA members are allowed to enter the contest, but they pay a higher entry fee.

5. The entire contest is limited to 1200 entries.

6. Judges are authors who have a. joined RWA, and b. are in the Published Author Network (PAN). Judges may NOT judge a category in which they are entered.

7. Entries are broken down into categories, which are the subjects of many flame wars. In the past, categories reflected that most entries were category romances--as time passed and more and more single-title romances were published in more and more subgenres, the categories changed. Do I think the categories need more work? Definitely. The romance genre is ever-evolving. Imho, the RITA categories are always behind the power curve. I won't get into it, because, hoo boy.

8. Judges indicates the top three categories they are interested in judging and the judge gets a box of books that are a mix of those three categories. Each book is read by five judges and given a score. Judges score anywhere from six to nine books. Scores are anonymous, and are a number from 1 to 9.

9. The top scoring books in each category are finalists. I don't know how the scores are calculated or how they figure out how many finalists there are--it's math.

10. Finalists are called, names announced.

11. Another set of books are sent to final-round judges who again score the books, and the top scorer of each category is the winner.

12. Winners are announced at the big ceremony at RWA National, and the winner takes home a shiny statue.

What does it all mean--why are RITAs such a big deal?

The RITA contest is a peer-judged contest, writers judging writers. It's also a level field (in theory)--books that had low print runs compete against books that are mega bestsellers. Few readers might not have even seen a book with a 15K print run that sat on the shelves for three weeks, but that doesn't mean it was a bad book. The RITA gives that author the chance for some recognition. RITA winning does not necessarily mean bestselling. Bestsellers are a different ball of wax (read some of my previous entries on how a book becomes a bestseller).

Why do authors care so much?

Because of that peer review. We not only want to please readers, we want other writers, people who share our profession, to think we're good too!

Why should readers care?

It's up to readers whether they care or not. The RITA represents the best romances--that were qualified to enter in a certain year of people who bothered to enter. Many authors vehemently don't enter the contest, others vehemently do, others can go either way.

Do you enter, Jennifer?

I do. What the heck? I might win and get a pretty statue. Which is how I ended up with the one in 2007 (shown above). My publishers put a line on my book cover, and we sing la la la.

Do I think some books are unfairly excluded?

Yes, I do. See my above statment about the genre ever-evolving and how the contest needs to keep up. Also method of delivery is evolving (of course I'm talking about ebooks).

I won't go into all that controversy, because it's covered well elsewhere, plus I just don't wanna. Too much stress. The RITA is problematic and problems need to be fixed. Granted.

But there you have it. More about the contest rules can be found on the RWA National website (www.rwanational.org) under Contests & Awards.